Thursday, April 22, 2010

April 22, 1932



STUDIO GIVES STAR ULTIMATUM

Hollywood, April 22 (UP)
Paramount studios today issued an ultimatum threatening to remove Marlene Dietrich, actress, and Joseph Von Sternberg, director, from studio payroll unless they begin work Monday on “The Blonde Venus.”

Studio officials said production of the picture had been held up for more than a month because the star and director expressed dissatisfaction with the story and refused to proceed.

Von Sternberg wrote the original story, but expressed dissatisfaction after studio writers had prepared it for the screen, and said the picture would prove a disappointment if produced in its present form.

Both the director and Miss Dietrich are on yearly salary contracts.




ACTRESS REPLIES TO LOVE THEFT CHARGE

Oakland, Cal., April 22 (UP)
Denying all charges she attempted to alienate the affections of Alfred C. Read, Jr., San Francisco broker, Claire Windsor, motion picture star, to-day filed an answer here to the $100,000 suit brought by Mrs. Marian Y. Read, Oakland society matron.

In the formal answer Miss Windsor admitted meeting Read last September 1, but denied she “attempted to alienate his affections, was with him constantly, exchanged affectionate notes with him, and accompanied him to places of amusement or on long motor trips,” as the suit charges.




JACK AND ESTELLE APPEAR TOGETHER

Hollywood, Calif., April 22 (AP)
Jack Dempsey, former world’s heavyweight champion, and Estelle Taylor, film actress, who recently were separated by a Reno divorce, are being seen together a lot these days.

Their appearances together, the actress said, resulted from mutual business interests.




REMEMBER HER?

After years of absence from the West Coast, where she once reigned as one of the queens of filmland, Anita Stewart returned to testify in the suit of La Cienega Holding Company against Mrs. Ignatius Brown, mother of Herbert Brown, noted song writer. Lately Miss Stewart has been engaged in small playlets presented on easter vaudeville circuits. She is married to George Converse.




POLLY MORAN SEEKS AGENT

Los Angeles, April 22 (UP)
Polly Moran had the assistance of the district attorney’s office today in locating an acquaintance to whom she entrusted $500 for investment in an oil lease venture near Monterey in 1930. She has not seen the acquaintance or the oil well since, she said.




CHAPLIN GAINS IN FIGHT WITH FEVER

Singapore, April 22 (AP)
Charles Chaplin was making a satisfactory recovery today from an attack of dengue fever, but plans for his departure Sunday to continue his Far Eastern tour remained uncertain.




ACTRESSES’ BROTHER MUST STAND TRIAL

Los Angeles, April 22 (UP)
Jack Noonan, brother of the film actresses, Molly O’Day and Sally O’Neill, was held for trial yesterday on a charge of escaping from a prison camp, where he had been serving a sentence for receiving stolen goods. He was arrested in New York. Miss O’Day and Noonan’s mother appeared with him in court.




From Wood Soanes:

Will H. Hays gave an accounting of his cinema stewardship in connection with his tenth annual report on the motion picture industry and some of his findings are worth reading.

He believes that “self-regulation in the industry (as opposed to censorship from without) is improving product and winning friends,” and that “research and experiment in the field of pedagogical film… might result in savings to the American taxpayer as much as $1,000,000,000 in 10 years.”

New audiences, he feels, are being drawn by “pictures like ‘The Man Who Played God,’ ‘Broken Lullaby,’ ‘Arrowsmith,’ and ‘Emma,’ which are not the result of accident but the fruit of 10 years of developing public taste and of diversified experimentation at the studios.”

“But,” he continues, “the screen cannot disregard practicalities and survive. The box office delivers the final verdict on our product… it cannot become a forum, an academy or a soap-box and continue to command universal attendance. It steps out of character into disastrous experience when it invades controversial ground.

Evangelism and propaganda are not its appointed precincts.”

As to the future, Hays is hopeful. He believes that tremendous advance has been made since the industry was forced to reform its “mechanical, artistic, financial and administrative ranks to control the unprecedented situations created by sound.” He calls the reader’s attention to the fact that the first exhibition of a sound picture was as recent as August 4, 1926.

“The prosperity of the future in our business,” Hays concludes from his observations, “will come not through so-called cheap pictures but through good ones, pictures that will draw to the box office crowds of satisfied people. We read 70,000 stories a year in order to produce 500 feature and pictures and 2500 short subjects.”




Wallace Ford has been given a term contract at M-G-M. He is now working with Dressler and Moran in “Prosperity.”

Creighton Chaney, the son of Lon, will make his debut in “The Bird of Paradise.”

Charles Butterworth, whose movie career terminated largely because his style of humor is so distinctive that he needed a special author to provide him with material, is returning to the stage for a comedy part in the next Max Gordon revue. Before that happens, however, he’ll work with Chevalier in a picture.



Jacqueline Logan, who used to be a picture name, will be in “Coast to Coast,” the new radio satire in which Joseph Santley will star.

Paul Lukas, Erich Von Stroheim, Mae Busch, Priscilla Dean, Duncan Renaldo and Mary Adams of the film colony arrived in Oakland today as guests of Walter Varney, the airline owner, to attend the “Aviation Night” fete at the Alameda Bay airdrome. They return by special plane tomorrow morning.




JACK OAKIE CAST IN TALE OF OLYMPICS

On Your Mark” Will Serve Comedian as Next Vehicle

By Chester B. Bahn

Last minute Rialto news –
Jack Oakie will star in Paramount’s contribution to the Olympic games story cycle. The comedy will be entitled “On Your Mark.”

Warners have retitled “S. S. Atlantic,” in which Bill Powell and Kay Francis are reunited, as “One Way Passage.”

Stephen R. Roberts today signed a long-term contract as a Paramount picture director and was at once assigned to direct George Bancroft’s next starring picture, “The Challenger,” in which Wynne Gibson and Charles Starrett have important parts.




I hear that –

Walter Huston is practically set as the missionary in “Rain”

Signed by Paramount, Charles Laughton’s first film work nevertheless will be for Universal, which has borrowed him for “Old Dark House.”

United Artists is delaying production on “Brothers Karamazov” until the tangle of copyrights on earlier film versions is cleared… Meanwhile, Colman will star in “Way of a Lancer,” King Vidor directing.

Radio may loan Zita Johann to Warners to play opposite Edward G. Robinson in “Tiger Shark”

Columbia will give special status to Barbara Stanwyck’s “Brief Moment”

Skeets Gallagher will return to the screen in “Merrily We Go to Hell”

Universal failed to pick up option of Mickey Rooney, formerly known as Mickey McGuire

Kenneth Goldsmith will produce “Okay, New York,” radio story by Henry Johnson, who will also adapt and dialog

Universal is again considering making “Marriage Interlude” and “Leviathan” and has dropped “Boulder Dam”




Donald Cook’s hobby is collecting stray dogs and giving them a home until friends take them, so the actor has room for another. Recently moving into a new home in Beverly Hills, the actor built the wire enclosure for his five dogs and housed them safely before he moved his own belongings. The white dog is named Jean, after Jean Harlow.




Today’s questions –

Will the scheduled “blessed event” cause Sue Carol’s retirement?

Is Jeanette MacDonald ever going altarward with Robert Ritchie?

Are Al Jolson and Georgie Jessel really friends again?




UP AND DOWN THE RIALTOS

What can be accomplished in six weeks of intensive training is demonstrated by James Dunn and Sally Eilers in “Dance Team,” headlining the program at the Riviera. The dancing done by the pair is the result of a month and a half’s steady practice under a well known Hollywood teacher in preparation for the part. On the same program, Ken Maynard is seen in “The Arizona Terror.”




Sidney Fox, who has the chief feminine role opposite Warren William in the Strand’s “The Mouthpiece,” is a specialist in the portrayal of Southern girls, having acquired an authentic accent in spite of her Northern origin. She is best remembered for her part in “Strictly Dishonorable.” Aline MacMahon, also an important feminine cast member, specializes in portraying cynical secretaries, having the same type of role she played in “Five Star Final” with Edward G. Robinson.




Edmund Lowe, whose love ‘em and leave ‘em methods became famous in “What Price Glory?” matches his strongarm courtship against the quite sloe-eyed, but highly inflammable wiles of Claudette Colbert in “The Misleading Lady,” at the Paramount. This is Paramount’s talking adaptation of the play, and is directed by Stuart Walker.




Nora Gregor, German stage star appearing with Robert Montgomery in Metro-Goldwyn-Mayer’s “But the Flesh Is Weak” at Lowes, was born in Gorizia, Austria. She won fame on the Vienna stage and was for five years a Max Reinhardt star. Among her successful plays was “The Sacred Flame.” She has appeared in several German films and came to America to do German film plays, such as her role in “Olympia.” This is her first picture in English.




From Luella Parsons:

Los Angeles, April 22
Those tickets that Richard Arlen bought for a trip to Europe with his wife, Jobyna Ralston, will not be used. Instead of seeing Paris, London, Italy and a few other places, Dick will migrate to the South Sea Islands but with plenty of company. He has been signed by Warner Brothers to play one of the leading roles in “Tiger Shark,” Edward Robinson’s next thriller. And since it calls for a trip to the tropical South Seas he will be there for several months with Howard Hawks and company.

Paramount has had a change of heart where Dick is concerned and is calling him back, I am told, to sign a new contract. No one need underestimate the popularity of Dick Arlen. He is quite a chap, not given to sounding his own horn, but he is plenty strong with the fans.




“The Sun Also Rises,” to star Constance Bennett, is more than just a mere rumor. The book has been purchased and Rowland Brown is now reading it and discussing treatment, for he will direct her. Some of the considerable angles will have to be removed but it is fundamentally a splendid story and should give Connie an excellent vehicle.

“The Moon and Sixpence,” the other important Radio purchase, is being put into proper shape and it has been whispered that Dolores Del Rio will play the beautiful native girl who falls in love with the artist. John Barrymore and Dolores Del Rio together should be a great combination.




It certainly looks as if Metro-Goldwyn-Mayer and Madge Evans are going to get together on their contract troubles today or perhaps they settled their difficulties last night. Miss Evans’ option expired two weeks ago today and her actual contract expires today. The reason I think everything will be settled is because she has been loaned by M-G-M to Columbia for “Hollywood Speaks.” That is Harry Cohn’s Hollywood picture and he says it’s serious “drammer.” Betcha’ anything a little comedy creeps in because Eddie Buzzell is directing and comedy is his middle name.




I don’t know when anything has made me as happy as the news that Betty Blythe will play in two pictures at Universal. One is “Back Streets” and the other, “Brown of Culver.” These two offers came to her on her twelfth wedding anniversary and just when she was beginning to feel that there was no place for her in Hollywood. Betty has been living on a little ranch with her husband, Paul Scardon.




I had been wondering who would get the part of “Horn” in “Rain,” the part that Rapley Holmes played on stage with such skill, the fat, lazy owner of the general store who is married to a native woman. Guy Kibbee gets that role and what a chance! Lewis Milestone who personally selected each person for the cast, told me yesterday that Kibbee had signed a contract. Speaking of contracts, Robert Montgomery stays on at Metro-Goldwyn-Mayer. He has put his John Hancock on a new contract for a brief year.



Snapshots of Hollywood:

Jean Harlow in New York clothes, on the Metro-Goldwyn-Mayer lot.

Marie Dressler, improving in health, working to finish her picture.

Jack Dempsey lunching at the Brown Derby with a group of men. Estelle Taylor at a nearby table with Evelyn Brent.

The Lionel Barrymores entertaining with a buffet supper in honor of Mrs. Lionel who leaves Saturday via the Panama Canal. Lionel and Raoul Walsh, who both went to Seton Hall as youngsters, reminiscing at the dinner table. The Walsh home, new and colonial, one of the most gorgeous and tastefully furnished houses in Beverly Hills.

Anita Page adding a gymnasium to her new beach home at Manhattan.

Ramon Novarro vacationing quietly in San Francisco.

The Jack Warners entertaining Sunday, their first dinner party since their return from New York.

Joan Crawford still incommunicado in the desert.




MIRACLE MAN AS TALKIE AT FOX THEATER

Old Favorite Film, Which Brought Fame to Three, Is Seen in Modern Form

Lon Chaney, Thomas Meighan, and Betty Compson became “names” overnight, and rose to fame in the silent version of “The Miracle Man.” As a talking production the film begins a week’s engagement at the Fox theater tomorrow. It is said to be even more powerful in its theme.

Headlining the cast are Sylvia Sidney, Chester Morris, Irving Pichel, who is remembered for his role as district attorney in “The American Tragedy,” Hobart Bosworth, Robert Coogan, and John Wray.

From beginning to end the story is packed with intense excitement; there is a powerful climax, and the theme is one with appeal to all amusement seekers. Many contrasting elements of underworld types, fakirs, soldiers of fortune, men of God, and unfortunates mold the regeneration through love and the faith theme.

“Tarzan the Ape Man,” Metro-Goldwyn-Mayer’s adventure thriller, will be screened for the last time tonight. Johnny Weissmuller, swimming champion, as Tarzan, has been so enthusiastically welcomed by theatergoers that the producing company have already signed him for future films.


Friday, April 16, 2010

April 21, 1932



BETTY BRONSON FACES ARREST IN ACTION FOR $706

Los Angeles, Cal., April 21 (AP)
Warrant for the arrest of Betty Bronson, former screen actress, was in the hands of officers of the referee’s court to-day. Miss Bronson, now honeymooning with Ludwig Lauerhaus of Beverly Hills and Asheville, N. C., failed to appear for examination as to why she had not paid a $706 judgment awarded a dentist for work one on the teen of her minor brother last January. The warrant was issued to assure her presence in court.




GIRL IN ‘OUR GANG’ FILMS NOW A BRIDE

Los Angeles, Cal., (UP)
Gertrude Messinger, graduate of “Our Gang” comedies and now a featured player, eloped to near-by Santa Ana and was married today to David H. Sharpe, former circus acrobat. Sharpe has been featured in the “Boy Friend” series of motion pictures.

It seemed to be quite a surprise all around, since only three months ago the 20-year-old actress received a license here to wed James F. Gaither, movie sound technician.

Sharpe is the 22-year-old son of Harry Sharpe, St. Louis sportsman.




ACTOR SUES COMEDIAN

London, Ont., April 20 (AP)
Francis X. Bushman, the American movie actor, filed suit today for $10,000 against Albert E. Hamilton. The actor was injured in an automobile collision with Hamilton’s car last December. The defendant has filed a counter-claim for $750 damages to his machine.




CHAPLIN IMPROVES

Singapore, Straits Settlements, April 21 (AP)
Charlie Chaplin, who was brought here yesterday suffering from a slight attack of dengue fever, was progressing satisfactorily to-day and hoped to be able to leave the hospital in two or three days.

It was uncertain, however, whether he would be able to leave for Japan Sunday. If he is not, he planned to wait another week and make the trip with his brother, Sydney.




MARY PICKFORD TO WELCOME HOME DOUGLAS

Hollywood, Calif., April 21 (INS)
Mary Pickford will leave New York in time to arrive here to greet her husband, Douglas Fairbanks, expected home from the South Sea islands May 7, friends declared today.




From Wood Soanes:

The celerity with which the Hollywood elevator lifts players to the top stories is matched only by the speed with which it drops them to the cellar. It is rather breath-taking, even when viewed from this safe distance.

Further evidence, if any were needed, came in a news dispatch from the cinema capital this week and while the writer chose to view his facts with a rather rosy eye, the truth is scarcely concealed by the airy persiflage.

“Temperament, or prejudice,” he wrote, “which prevented feminine leads from accepting parts in western films has practically evaporated around Hollywood. Call it the depression or what you will, here are a few examples:

Alice Day, formerly seen in drawing room parts, and Shirley Grey, Broadway actress, play opposite Tim McCoy in Columbia westerns; Claudia Dell appears in Tom Mix’ “Destry Rides Again”; Lois Wilson is listed for a Mix production; and Lina Basquette will play opposite Buck Jones in “Born to Trouble” for Columbia.

Yet it is only a matter of months since Samuel Goldwyn lifted Miss Grey out stock, sent her on a vacation with full pay, cast her for Ronald Colman’s vis-à-vis, didn’t use her but loaned her to Radio to work opposite Richard Dix. And then something happened. Now Miss Gray is in the horse opera and has plenty of company it appears.




Barbara Stanwyck who will be on the screen at the American theater tomorrow in “Forbidden” returned to Hollywood this week with her husband, Frank Fay, after a vaudeville tour. She is to do “Brief Moment” and an effort is being made to secure Scott Kolk to play opposite her.




Regis Toomey is the latest player to leave Hollywood for a vaudeville tour. Reason: Non-renewal of his Paramount contract…

B. P. Schulberg of Paramount announces that almost 90% of his studio’s contract players are stage-trained, and this applies to the extras too.




Irene Rich is cast as Will Rogers’ wife for the third time in “Down to Earth”…

Ruth Chatterton is going to have Romney Brent as her leading man for the second time in “Children of Pleasure.




Jean Harlow has returned from the east on a train with Lilyan Tashman and Mrs. Adolphe Menjou, ten pounds lighter, if that means anything to her fans.




FOX STUDIO WILL REMAKE “RED DANCE”

Dolores Del Rio Starred in Original Film in 1928

By Chester B. Bayn

Last minute Rialto news –

Remember “The Red Dance” in which Dolores Del Rio starred back in 1928? Fox will remake the Russian story as a talkie; the new script is being written by Jules Furthman

Ina Claire’s return to legit next season is expected to be in “Angel,” European hit; Basil Rathbone may play opposite…

Al G. Barnes Circus is being used as a background for “Mrs. O’Shaughnessy’s Boy,” co-starring Jackie Cooper and Wally Beery

Arline Ahlberg, erstwhile “Vanities” chorine, becomes Arline Ware for Fox…

Floyd Gibbons is considering another talkie offer, made by Universal…




Mae Clarke’s recovery from her nervous breakdown is very slow…

Metro-Goldwyn-Mayer has made overtures to Beatrice Lillie

The same studio will picturize Henri Bernstein’s “Felix” as well as “The Claw”…

Paramount is considering “No Bed of Her Own” for Miriam Hopkins

Variety reports that studios are rejecting all stories save those classed as “sensations”…




“High and Mighty,” story of old California, will be a Johnny Mack Brown vehicle for a Paramount release…

Gloria Swanson may make a talkie in England…

Lilyan Tashman is expected to ally with Columbia for one picture, at least…

Paramount is delaying further production on “Horse Feathers,” pending the recovery of Chico Marx

Sidney Howard will adapt “Way of the Lancer” for Ronald Colman’s use…

Warner Oland will play a European nobleman in “Burnt Offering,” starring Elissa Landi

Minna Gombel has an important part in Fox’s “Fancy Free,” supporting Adolphe Menjou and Joan Marsh

Clara Bow’s comeback talkie will be “Red-headed Savage,” which is not to be confused with Jean Harlow’s “Red-headed Woman”…




Charles Starrett, former Dartmouth three-letter man, will be seen in “Sky Bride,” Paramount-bound shortly…

Congratulations to:
Mr. and Mrs. Lloyd Hughes.
Mr. and Mrs. John Miljan.
It’s a boy in both instances.




From Luella O. Parsons:

Los Angeles, April 21
Excitement and plenty of it on the Paramount lot. Marlene Dietrich, German actress, has walked out and with her goes Josef Von Sternberg. B. P. Schulberg, production chief, has issued an ultimatum, either Marlene and Von Sternberg begin work on Blonde Venus by Monday, or else –

The or else, in this case, means they will be taken off salary.

The battle royal was precipitated when, failing to agree on Blonde Venus, Schulberg suggested that Marlene have someone else direct her. Marlene refused. Blonde Venus, you see, was authorized by her and Von Sternberg. The original story was approved by Schulberg and handed to someone to put into scenario form.

The first draft was not acceptable to Schulberg. He handed it to another writer and the revision failed to please Miss Dietrich and her director, but suited Schulberg.




Long, long time since Kay Francis emoted opposite William Powell. The two of them have been heading separate units at Warners, but with Jack Warner back on the job he has different ideas. He plans to put both of them in One Way Passage. Oh, yes, you have heard of the story. It was formerly called S. S. Atlantic and Tay Garnett is directing. Warren Hymer and Frank McHugh are in the cast.

Soon as Kay Francis finishes One Way Passage she gets another five months’ vacation. Imagine five months salary without making a picture. She and her husband Kenneth McKenna have their reservations to sail for Europe in June. Kenneth must direct one picture for Fox, then away for a pleasant trip abroad.




A crowd of Lilyan Tashman’s friends awaiting her at the station, an offer to go to Columbia and an informal tea arranged by Edmund Lowe, greeted her on her arrival home yesterday. Lil has been in Europe, New York and other places since she left Hollywood last August, and she was that excited about getting home. Mrs. Lionel Barrymore, Mrs. Eric Pedley, William Haines, Alice Glazer and dozens of others made her homecoming at Pasadena a gala occasion.
Edmund Lowe said he almost missed the train, trying to decide what to do with the 5000 advance trunks that heralded her arrival. He said Lil not only bought plenty of clothes, but things for the house as well. Her contract is up with Paramount and I hear from a very reliable source that she will do a picture immediately for Columbia.




No one need laugh at Clara Bow’s ambition to write verse. Adela Rogers Hyland read some of it and she told me it was not half bad. Must be good, for Clara has written the lyrics for “Hollywood on Parade,” with Hal Grayson and Malcolm Beelby furnishing the music. All for sweet charity. “Hollywood on Parade” is being produced by Louis Lewyn, who will turn over the proceeds to the Motion Picture Relief Fund. The first numbers will be a specialty with Eddie Cantor and Maurice Chevalier together, another with Jack Oakie and Ginger Rogers, and a third featuring Mitzi Green, also a Fanchon and Marco idea of Hollywood, with the leading players doing an appearance act.




Snapshots of Hollywood:

Harold Lloyd in pale blue dressing gown, receiving members of the Japanese navy. Work was stopped while he autographed cards for all the officers.

Genevieve Tobin, her mother, and Mrs. Leon Errol, talking of the stage and the changes the movies have brought to them.

Donald Cook and Evalyn Knapp doing a few special dance numbers at the Frolics.

The Eddie Mannixes, Harry Rapf, B. P. Schulberg, Harpo Marx and a lovely lady, Madge Evans and Tom Gallery and dozens of other film celebrities at the Olympic, watching the bout between the Mexican whirlwind and Young Tommy, Honolulu’s favorite.




CUBAN LOVE SONG ON NATIONAL SCREEN

Lawrence Tibbett’s starring vehicle, “The Cuban Love Song,” opened Thursday at the National Theater for two days.

The hero of “The Rogue Song” is seen in modern garb as a swashbuckling, singing marine who figures in a romance of Cuba. Lupe Velez, Mexican heroine of “The Squaw Man,” has the feminine lead, and prominent roles are taken by Ernest Torrence and Jimmy Durante, the comic pair in “Get-Rich-Quick Wallingford;” Karen Morley, who played Marie Dressler’s daughter in “Politics;” Hale Hamilton, Mathilde Comont and Philip Cooper.

Paramount News and “Rhythm of the River” are also featured.




DOROTHY MACKAILL STARRED AT LYRIC

Dorothy Mackaill in “Safe in Hell,” First National starring vehicle, is the feature attraction at the Lyric Theater Thursday and Friday. This play gives her a role with a semi-tragic ending. She interprets Gilda Carson, a servant girl betrayed by her employer, turned into the streets and finally corralled on an island inhabited by refugees from justice. Don Cook plays the romantic lead, as Carl, a sea-faring man who is engaged to Gilda, and who bungles through his dealing with her until she sacrifices herself for his sake.

Wednesday, April 7, 2010

April 20, 1932



CHAPLIN RUSHED TO SINGAPORE HOSPITAL

Singapore, April 20 (AP)
Charlie Chaplin, American movie comedian, was rushed to a hospital today when he arrived here to-day from Java, suffering from a slight attack of fever.

He was expected to recover fairly quickly, however, if no complications arise.




THAT’S ENOUGH, ANNA

New York, April 20 (AP)
Anna Sten, who has come from Germany to act in the movies, says she knows only five American words. But they are important words – “darling, sweetheart, I lof you.”




MARION DAVIES WINS JUDGMENT

New York, April 20 (AP)
Marion Davies has won a $10,309 judgment against Charles R. Dillingham, theatrical producer. The screen actress sued to collect a note.




EXITS AND ENTRANCES:

Bela Lugosi did a laugh-clown-laugh stunt at the Carthay Circle theater the other night. He tripped back stage, fell and broke three ribs, but went on with his performance of “Murdered Alive.” He probably felt just that way.




Joel McCrea who is gradually getting to be as much in demand at Radio as Clark Gable is at Metro as leading man for women stars will make love to Constance Bennett next week in “The Truth About Hollywood.”


Walter Catlett and Lyle Talbot, both known in stock, are in “New York Town” the Ward Morehouse story being prepared at Warner Brothers as a starring vehicle for Joan Blondell. Mervyn LeRoy will direct. Talbot has also been assigned to one of the important roles in “Competition” supporting “Chic” Sale.


James Cruze has been assigned the megaphone on “Washington Merry-Go-Round” which is to be done by Columbia. Cruze is best known for “The Covered Wagon.”




Word comes by wire from the temporary Fox studio at Santa Cruz that work is progressing on “Rebecca of Sunnybrook Farm” under the direction of Alfred Santell and despite the palm trees and eucalyptus surrounding the “New England” houses. Incidentally, Ralph Bellamy has replaced Charles Farrell, and since Marion Nixon already replaced Janet Gaynor that makes a new deal all ‘round.




6 ACTORS IN MOVIES’ BEST EDITOR RACE

Ablest Delineators of Newspaper Reporters Total Three

By Chester B. Bahn
Who is the sound-screen’s ablest managing editor?
Adolphe Menjou in “The Front Page?”
George Bancroft in “Scandal Sheet?”
Edward G. Robinson in “Five Star Final?”
Lew Cody in “X Marks the Spot?”
Or Charles Bickford in “Scandal for Sale?”

In this instance I am not telling you; instead, YOU tell me.

I’m curious, frankly, to know what the effect these various characterizations has been on the cinema-going public.

As for the ablest delineators of reporters on the screen, it seems to me that Pat O’Brien, Norman Foster and Charles Ruggles are in the vanguard. O’Brien, of course, has the edge. Coincidentally, he had visited a city newsroom just once prior to his appearance as Hildy Johnson in the exciting “The Front Page.”




Last minute Rialto News –

Irene Dunne, shortly to be seen in “Symphony of Six Million,” will star in “Nurse Smith,” Carey Wilson’s original screen romance of young motherhood.


Irving Pichel will be Ernest B. Schoedsack’s co-director for “The Most Dangerous Game.”




Sylvia Sidney will star for Paramount in “Madame Butterfly.”

Clara Bow’s screen return will be via Fox.

Conrad Nagel hasn’t signed a new film contract yet, although the old one expires this week.

Jean Harlow will be “The Red-Headed Woman; that’s final.

Lillian Harvey, who has been noticed plenty in UFA pictures, may come over for Fox

M-G-M making new tests of Colleen Moore.

Four of Hollywood’s talented child players are to be seen in Warner Baxter’s “Amateur Daddy. They are Joe Hachey, last seen in “Over the Hill,” Joan Breslaw, who played with Baxter in “Daddy Long Legs,” Frankie Darro of “Circus Kid” fame and Gail Kornfeld, who was so adorable in “Skippy” and “Monkey Business.” Opposite Baxter, in the leading feminine role is Marian Nixon, with Rita LaRoy and William Pawley also featured. John Blystone directed from Mildred Cram’s novel, “Scotch Valley.”




Following her work in “The Misleading Lady,” Claudette Colbert, without any ballyhoo, overworked flashlight cameramen, or studio poses, quietly went to a New York hospital for a serious throat operation. Not only did she waive all the publicity ballyhoo that frequently accompanies the least scratch acquired by a celebrity, but she succeeded in keeping her whereabouts hid from everybody but her mother, until well on the way to recovery.




Nils Asther, Swedish screen idol of the silent films, plays the Russian prince in “But the Flesh Is Weak.” Asther was born in Copenhagen, raised at Malmo, Sweden, was graduated from Lunel Swedish stage and European film productions. He came to this country and became a sensation in silent films in “The Single Standard,” “Wild Orchids,” “Dream of Love,” “Sorrel and Son,” “Her Cardboard Lover,” etc. He quit pictures to master English when the talking pictures came in, and now he returns.


A pair of green Russian boots worn by Gypsy Norman, former musical comedy and stage player visiting the Warner Brothers studios, caught the eyes of James Flood and Eliiott Nugent, co-directors of “The Mouthpiece,” the vehicle featuring Warren William. The directors sought and obtained an introduction. During the conversation the topic of bit parts came up and as a result Miss Norman was assigned the role of the telephone operator in the picture.

“The Mouthpiece” cast includes several such distinguished players as Sidney Fox, Guy Kibbee, Aline MacMahon, John Wray, Noel Francis and J. Carroll Naish.




From Luella O. Parsons

Los Angeles, April 20
The American friends of Gloria Swanson may have to wait until Fall to personally greet her new daughter, Michele Bridget. Gloria has been approached by one of the British companies to make a feature talkie, story, director and cast to be selected by La Belle Swanson herself.

The lady, we are told, is in a responsive mood and eager to make the foreign picture – providing she can get the right American release. The stars of Swanson magnitude are beginning to realize it’s necessary to make a picture abroad if they want to keep their names before the public on the Continent.

The advent of the talkies has wrought a cruel change in foreign popularity. There are few personalities that have been able to weather the storm of the talkie invasion – especially in Germany, Spain and France.




Scratch out the title Brothers Karamazov and forget it for the next few months. Ronald Colman has another story in the offing and one voted more timely by his advisors. Way of the Lancer, by Richard Boleslavsky and Helen Woodward has been purchased for Ronnie and it’s headed straight for production. King Vidor, who was signed to direct The Brothers Karamazov, changes his contract to Way of the Lancer, while Sidney Howard will write the adaptation. When Way of the Lancer first appeared all Hollywood rushed to buy it because it was co-authored by Richard Boleslavsky, Russian director, living in our town, and later because literary critics recommended it. Boleslavsky is supposed to tell his own experiences in the Polish unit serving with the Russian forces in the World War.


Have you read “Only Yesterday,” by Cedric Lewis Allen? If you haven’t you are in the minority. I venture to say more people are reading and talking about this book than any published since “The Washington Merry-Go-Round.” It’s now in its 200,000th edition and it’s still going strong. To make a long story short, and you probably hate long stories, Carl Laemmle, Jr. has purchased it as a screen play for Universal. Today when I talked with junior he told me it would probably take three months to adapt it properly. It’s a panorama of all the most thrilling events, including murder, etc., that has taken place in the lasts 10 years.




Snapshots of Hollywood:

Marlene Dietrich, flanked on one side by her husband, Rudolph Seiber, on the other by Josef von Sternberg, attending a performance of “So Big!” at Warner Brothers Theater. Little Maria in the foreground, all excited over seeing an American movie.




POE’S TALE OF RUE MORGUE OPENS FRIDAY

Strange Thriller of Murders In Paris Will Be Shown At RKO Orpheum Theater

“Murders in the Rue Morgue,” cinema version of Edgar Allen Poe’s Parisian drama, comes to the RKO Orpheum theater Friday.

Bela Lugosi, the Dracula of both stage and screen, enacts the male role in this new thriller. He is seen as Dr. Mirakle, a medico with a warped brain, who is intent on introducing the blood of a giant ape into the veins of a beautiful girl.

Sydney Fox is cast as the gentle French girl who is pursued by the crazy doctor and his gorilla. Other important roles are played by Leon Waycoff, Bert Roach, Brandon Hurst and Betty Ross Clarke.

The RKO stage program is headed by that famous numerologist and philosophical pianist, Don Zelaya. Others on the bill are: Liiving Jewelry, a novelty flash act; Master and Grayce in “Guess Who ‘Tis,” and the Oronto, in “Heads Up.” The acts are assisted by Owen Sweeten and his RKO-lians. Screen “shorts” and a timely Pathe newsreel are on the program.

Tuesday, March 30, 2010

PICTURES AND PLAYERS



April 19, 1932

Robert Young and Maureen O’Sullivan have been added to the cast of “Strange Interlude” at the Metro-Goldwyn-Mayer studios. Norma Shearer and Clark Gable head the cast of this picturization of the Eugene O’Neill stage play, under the direction of Robert Z. Leonard. Alexander Kirkland, Ralph Morgan, Henry B. Walthall and May Robson are also among the players.




“The Strange Love of Molly Louvain,” recently completed at the First National studios, has had its preview at the Eastern offices of the company. The leading roles in the photoplay are taken by Ann Dvorak, Lee Tracy, Richard Cromwell, Leslie Fenton, Guy Kibbee, Frank McHugh, Donald Dillaway, Thomas Jackson and J. Farrell MacDonald.




Lewis Milestone, the director, who arrived recently in Hollywood after a sojourn in New York, will direct several new pictures for United Artists. Among these are “Rain.” Another will be an Al Jolson picture from an original story by Ben Hecht.




“The Devil and the Deep,” described as a “story of love and adventure woven into the background of a submarine disaster,” is announced by Paramount as a vehicle for Tallulah Bankhead and Gary Cooper. The picture will introduce to the screen Charles Laughton, London actor, who recently appeared in “Payment Deferred.” The screen play is being prepared by Harry Hervey, author of “Shanghai Express,” and Benn W. Levy, English playwright and author of “Springtime for Henry.”




Elissa Landi has begun work for her next Fox picture, “Burnt Offering,” following the completion of “The Woman in Room 13,” which is soon to be released. The new picture, which will be directed by Frank Lloyd, will also be a vehicle for Alexander Kirkland.




A French-language version of “High Pressure,” in which William Powell took the main part for Warner Brothers, has started production under the direction of Henry Blake. The part taken by Mr. Powell has been assigned to André Luguet. The French title of the picture is “Le Brasseur d’Affairs.”


Columbia Pictures closed negotiation last week for the distributing rights to “The Blonde Captive,” a picture of the more remote parts of Australia.




Chester Morris and Richard Arlen will be seen together in “Come On, Marines,” and have reported to the Paramount Hollywood studios for film tests. The film play is based on a story by James K. McGuinness and Thomas Boyd.


A warning to would-be motion picture actors who have neither stage training, screen personality nor money has been issued by B. P. Schulberg, director of productions for Paramount. “Disillusionment and heartbreak,” says Mr. Schulberg, “are apt to be the sole rewards for those whose only qualifications for film work are good looks and ambition. Those qualities counted a few years ago, but talking pictures have placed greater demands on actors and actresses.




How do motion picture actors and actresses memorize their lines? Hollywood gossip has it that some need seclusion and quiet and others crave music or companionship. Warner Baxter, according to Fox Film officials, likes music with Spanish rhythm while studying his lines. Joan Bennett writes her lines out in longhand. With Will Rogers matters are somewhat simplified, for his is given considerable latitude for improvisation; but he is one of the few who are allowed such liberty. Another of those few is Marie Dressler.




HOLLYWOOD IN REVIEW

The most “rumored” person in town at the moment is Greta Garbo. She will sign with M-G-M; she will not sign; she will go back to Sweden; she will go to another organization; all these and more, all with the explanation that they are “inside tips,” float up and down the boulevard.

The best of the rumors and facts, with no indication of which is which, seem to be these: She has asked for an extension of her passport until next year; her manager, Harry Eddington, has resigned from M-G-M to be free to negotiate with some other company; if M-G-M does not meet her terms she will go elsewhere; when she is through with her next contract she will make a two-year tour of the world making personal appearances which, she believes, will net her a million dollars a year; then she will retire.


A record for prolonged shooting is being established by “Strange Interlude” at M-G-M. It is now in its tenth week, with at least two more to go. This is because of all the asides. For the first two weeks all scenes were shot four times. Then a plan was devised so that they are shot but twice. But, with retakes and all, it still runs each scene up to four to six takes.




Paramount is preparing Marlene Dietrich’s new film, untitled, for early production. It will differ from recent Dietrich roles in that it will be a Cinderella type of New York story, except that the transformation will take a period of time rather than be an overnight affair. It is the plan to vary her program from time to time and show that she can do other things. The studio says she will be “unrestrained” in the coming one.




RKO began shooting “The Truth About Hollywood” and “Is My Face Red?” – their two most important productions at the moment. Constance Bennett was switched to the Hollywood yarn after some studio executive read “Unmated,” which was cast and in rehearsal. After spending some $20,000 on the yarn, as happened in “Once in a Life Time,” some one read the script and found that it couldn’t be shown in any State having censorship. So, with the explanation that Adele Rogers St. John’s story is “more timely” and that “Unmated” was being held for future release, the studio asked everybody to just forget about it and please not mention the matter again.

The studio is most optimistic about “Is My Face Red?” Written by two boys in the RKO publicity office, Ben Markson and Allen Rivken, a rapid script is being prepared about a broadcasting New York columnist.




Announcement of a number of adventure pictures and continued activity among the independents is another item of the week’s news. Major studios are sending companies to Iceland, Greenland, the South Seas, the Straits Settlements and Africa to film blood-and-thunder yarns; independent leasing lots buzzed with activity as new deals were made public.

Hope, that is reputed to spring eternally but which has been in a dormant state in Hollywood for some time, again has reared its head.

Carl Laemmle, Jr. says that adventure films are the mode for the coming season. He is sending Dr. Arnold Fanck, maker of “White Hell of Pitz Palu,” “White Frenzy” and “Avalanche,” to film “Iceberg in Greenland” in a hitherto unphotographed locale.

“Early sound problems prevented us from sending companies outside the studio,” Mr. Laemmle said. “Out of 500 pictures not more than fifteen or twenty were made off the Hollywood lots. Sound is now a stable thing and we are having little trouble in photographing with portable equipment.

“We have almost ready for release “The Doomed Battalion,” made in the Austrian Tyrol. The Greenland picture, one in the Straits Settlements, one in Shanghai, another in Africa, and one in Yellowstone National Park will complete Universal’s globe trotting for the year.

“Sound put the studios in a story rut, but with its perfection and with an understanding of it the curse that has been on us for three years is lifted. Dialogue, of course, will continue to make talkers a national proposition, but American can again enjoy a universality of locale.




Metro-Goldwyn-Mayer is sending W. S. Van Dyke of “Trader Horn” to Iceland for an untitled yarn. Douglas Fairbanks will arrive within a few days with his stuff from the South Seas. Sol Lesser is editing a number of travel and adventure films from far places.

The spurt in the independent market is interesting. Groups are being formed admittedly to make pictures for the major companies. There are two reasons for this. First, some of the majors are having difficulty getting enough money from the bankers to make their complete program and independents with angels or with other banking connections can provide product; second, independents are being encouraged so that their costs may be compared with major costs, with a possible revision of the latter as a result.

One of the major concerns frankly says that it is buying twelve pictures from an “indie” with the idea of comparing costs with their own. And if what the major suspects is true, the unemployment situation will be even more acute.


The week’s most interesting independent announcement came from M. C. Levee, until recently with Paramount. He has formed the Screen Guild, which is to make pictures probably for United Artists, and it will be done on a cooperative basis. Writers, directors, artists and technicians will be paid a small amount of cash for their efforts and will then share in the profits. This has been attempted in Hollywood before in that section known locally as “Poverty Row,” where pictures are made without money with quite disastrous results to the contributors, who, it developed, knew little of book-keeping. However, no one of Mr. Levee’s standing has ever offered a profit-sharing plan before on a legitimate basis, and people not under contract are quite hopeful.